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Which Is Better For Photography, Film Or Digital?
Author: Nathan Deremer
Article Source: MiNeeds.com, where consumers get competitive bids from Photographers. Read reviews, compare offers & save. It’s free!
Article Link: http://www.mineeds.com/Jacksonville/Deremer-Studios/Articles/Which-is-better-for-photography-film-or-digital
Tags: Photography , Cameras , which is better , film , digital , low light
More than once, I've encountered folks who are unsure that a digital camera can equal the capabilities of a film camera. And in some senses, they have a right to be concerned. But overall, the results are clear - modern profession digital SLR cameras now have a big edge.
So, what's the difference you may ask?
Film SLR Cameras
1. Low light capabilities are determined by film speed - the higher the number, the lower the light they can handle. Even with professional film, grain goes up considerably as you increase the film speed. That being said, the actual grain on a film print can be desirable (and digitally duplicated) for some settings and tastes.
2. Your resolution is limited by your film. The better the film you purchase, the better it's capability to be blown up, but with any 35mm film, enlargements beyond 8x10 will lose their crispness.
Digital Point and Shoot Cameras
These cameras often give digital photography a bad name. Outside, with good light, the photos look great, but everyone has seen a digital photo where the person is either extremely dark, or glowing. The color doesn't seem to be great, and anytime you take a night time shot, the background is pitch black. Here's why you shouldn't do most shoots with this type of camera.
1. Small image sensor. Unlike your film or digital SLR, the sensors on these cameras are a fraction of the size, enabling a compact camera. But you lose a lot when you make this compromise. Add a high megapixel rating, and the problem is compounded. Simply put, these cameras will have much more noise and less clarity whenever you encounter anything but bright light.
2. No external flash. Having only a small onboard direct flash makes for photos that are either washed out or too dark - if you have multiple subjects, sometimes you'll get a bit of both.
3. No interchangeable lenses - having only one fixed lens means usually you have a high aperture (which doesn't allow lots of light in) as well as issues with wide angle and zoom shots. And as a note, never use digital zoom - turn that feature off.
Digital SLR Cameras
Sigital SLRs have come a long way in the past 15 years. From being an expensive novelty, to professional mainstream. Even in the past 6 years (since I started our business), the gains have been noticeable and wonderful. I started with a 6.0 MP Canon that worked well, but still didn't handle low-light scenarios as well as a nice film SLR. Today, we shoot with a 21 MP Canon that blows even your high end film cameras out of the water in both resolution and low light capabilities.
1. Bigger image sensor. Whether you are shooting a 4/3 sensor or a full size sensor with your SLR, it is many times larger than even your best point and shoot cameras. This allows for a larger spacing between pixel sensors and makes for much better low light capabilities.
2. Better resolution. I shoot a Canon 5D MkII which shoots 21 MP images - and at that size, I can blow my photos up to poster size without loosing clarity. Do that with a 35mm negative, and you would have a very soft image.
3. Interchangeable lenses. Having this capability, like in the 35mm SLRs is wonderful. It allows you to have a variety of lenses catered to your exact needs - whether it be low light, long range, or wide angle shots.
4. External flash. This is one of the biggest components of a good photo. Having an external flash allows for so much more lighting options - far improved over the point and shoot.
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Which Is Better For Photography, Film Or Digital?
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Mackie CFX12 mkII Mixer $399.99 The Mackie CFX12 mkII Mixer is designed to make mixing live performances simpler. The mkII upgrades include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket. |
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Focusrite Octopre Mkii Dynamic $699.99 The Focusrite OctoPre MkII Dynamic is a feature-rich expansion upgrade for any digital audio workstation. With 8 channels of Focusrite microphone pre-amplification, 8 VCA-based Red 3-derived compressors and built-in 24-bit / 96 kHz digital inputs and outputs, the OctoPre MkII is equally ideal as an expansion for any analogue or digital console, or for a hard disk recorder.The OctoPre MkII Dynamic's digital inputs and outputs let you make the most of often-neglected ADAT I/Oideal for expanding the number of mic-pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.With this entire package fitting into a single 1U chassis complementing Focusrite's Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.Saffire Mic Pre Focusrite has, over the past two decades, built a reputation as the market leader for high quality recording equipment, with its mic pre technology as the cornerstone of that enviable reputation. The original ISA mic pre, as featured in the early Focusrite Fort console, is still used by many of the industry's greatest producers and has contributed to the sound of countless hit records. Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.As with the Classic ISA mic pre used in both the ISA and Red ranges, the Saffire mic pre found in the OctoPre MkII Dynamic is designed to the highest possible standards. It upholds the same wide bandwidth philosophy featured in the original fort console, back in 1989. As with the Classic ISA mic pre, the Saffire mic pre design features custom components which have undergone an intense testing and qualification process. With the facts and figures in, Focusrite designs then have to pass the essential listening stage. Any design can measure well on the test bench but only a great design can be qualified in the studio. The FET-based Saffire mic pre design is no exception. It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous. With the high channel count interfaces (Saffire PRO 40 and Liquid Saffire 56) and both the OctoPre MkII and OctoPre MkII Dynamic, the Saffire pre-amp has been optimized for drums. The theoretical maximum level of a microphone was calculated, and the mic pre was adjusted with this in mind so as not to clip with this level present, set to minimum gain. As a result, the mic pre won't clip, even with a high output level mic right up close to a snare drum (the mic input will accept signal levels up to +16dBU from a microphone). Compression The Compressors featured in OctoPre MkII Dynamic are a new VCA-based, feed-forward design, derived from the celebrated Focusrite Red 3. With just a single dial, these eight 'recording' compressors allow you to get to the desired amount of compression for each channel |
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Mackie CFX16 mkII Mixer $499.99 The Mackie CFX16 mkII Mixer features upgrades that include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket. |
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Tascam IF-FW/DM mkII 32 Channel 24-Bit / 96Khz Firewire Interface Card for Tascam DM-3200/4800 Digital Consoles $370 Tascam IF-FW/DM mkII 32 Channel 24-Bit / 96Khz Firewire Interface Card for Tascam DM-3200/4800 Digital Consoles |
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Focusrite OctoPre MkII Dynamic $636.99 With eight channels of Focusrite microphone pre-amplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96 kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrite's feature-rich expansion upgrade for any digital audio workstation. It's equally an ideal expansion for any analogue or digital console, or hard disk recorder.Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic-pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.With this entire package fitting into a single 1U chassis complementing Focusrite's Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.Saffire Mic Pre Focusrite has, over the past two decades, built a reputation as the market leader for high quality recording equipment, with its mic pre technology as the cornerstone of that enviable reputation. The original ISA mic pre, as featured in the early Focusrite Forte console, is still used by many of the industry's greatest producers and has contributed to the sound of countless hit records. Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.As with the Classic ISA mic pre used in both the ISA and Red ranges, the Saffire mic pre found in the OctoPre MkII Dynamic is designed to the highest possible standards. It upholds the same wide bandwidth philosophy featured in the original forté console, back in 1989. As with the Classic ISA mic pre, the Saffire mic pre design features custom components which have undergone an intense testing and qualification process. With the facts and figures in, Focusrite designs then have to pass the essential listening stage. Any design can measure well on the test bench but only a great design can be qualified in the studio. The FET-based Saffire mic pre design is no exception. It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous. With the high channel count interfaces (Saffire PRO 40 and Liquid Saffire 56) and both the OctoPre MkII and OctoPre MkII Dynamic, the Saffire pre-amp has been optimized for drums. The theoretical maximum level of a microphone was calculated, and the mic pre was adjusted with this in mind so as not to clip with this level present, set to minimum gain. As a result, the mic pre won't clip, even with a high output level mic right up close to a snare drum (the mic input will accept signal levels up to +16dBU from a microphone). Compression The Compressors featured in OctoPre MkII Dynamic are a new VCA-based, feed-forward design, derived from the celebrated Focusrite Red 3. With just a single dial, these eight 'recording' compressors allow you to get to the desired amount of compression for each channel, fast, providing a natural but loud sou |
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Focusrite Focusrite ISA428 MKII $1499 The ISA428 MkII provides four of Focusrites prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.First introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation. The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone. Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.The optional class-leading eight-channel A-D converter option used with the ISA828 is also compatible with the ISA428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter.Four instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box. Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel. Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.Over 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether youre looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA428 MkII brings legendary tools to your studio at an exceptional new price.The ISA PreThe ISA microphone pre-amplifier was first introduced back in 1985. This transformer-based pre-amplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.The ISA microphone pre-amplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the pre-amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA110 setting was supplemented by three further impedance settings.The Focusrite pre amp is renowned for its transparency, but there's also that subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a cla |
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Focusrite Focusrite Isa428 Mkii $1499 The ISA428 MkII provides four of Focusrites prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.First introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation. The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone. Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.The optional class-leading eight-channel A-D converter option used with the ISA828 is also compatible with the ISA428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter.Four instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box. Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel. Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.Over 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether youre looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA428 MkII brings legendary tools to your studio at an exceptional new price.The ISA PreThe ISA microphone pre-amplifier was first introduced back in 1985. This transformer-based pre-amplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.The ISA microphone pre-amplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, allowing ISA users to either perfectly match the pre-amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used. The original ISA110 setting was supplemented by three further impedance settings.The Focusrite pre amp is renowned for its transparency, but there's also that subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a cla |
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Mackie Cfx12 Mkii Mixer $549.99 The Mackie CFX12 mkII Mixer is designed to make mixing live performances simpler. The mkII upgrades include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket.Low-noise, high-headroom Mackie mic preamps8 mono mic/line and 2 stereo line channelsBuilt-in 32-bit EMAC digital effects processor with 16 effectsExternal and internal EFX sends and EFX to Monitor controlOnboard 9-band stereo graphic equalizerTrue 4-bus design ideal for live sound applications2 Pre/Post aux sends and internal/external FX sends3-band EQ with swept mid (100Hz to 8kHz) on mic/line4-band EQ on stereo line channelsPan, Mute, PFL solo on each channel100Hz low-cut filters on all mic/line channelsSubwoofer output from built-in 18 dB/octave, 75Hz crossoverBreak switch mutes all channelsHeadphone output with level controlTape/CD inputs with level control assignable to Main MixLogarithmic-taper 60mm faders48V phantom power12V BNC lamp socket |
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Mackie CFX20 mkII Mixer $649.99 Upgrades to the Mackie CFX20 mkII Mixer include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp connector.Low-noise, high-headroom Mackie mic preamp16 mono mic/line and 2 stereo line channelsBuilt-in 32-bit EMAC digital effects processor with 16 effectsExternal and internal EFX sends and EFX to Monitor controlOnboard 9-band stereo graphic equalizerTrue 4-bus design ideal for live sound applications2 pre/post aux sends and internal/external FX sends3-band EQ with swept mid (100Hz to 8kHz) on mic/line4-band EQ on stereo line channelsPan, mute, PFL solo on each channel100Hz low-cut filters on all mic/line channelsSubwoofer output from built-in 18 dB/octave, 75Hz crossoverBreak switch mutes all channelsHeadphone output with level controlTape/CD inputs with level control assignable to main mixLogarithmic-taper 60mm faders48V phantom power12V BNC lamp connector |
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Indamixx Indamixx Netbook MKII $599 Ready to make some music? So is the Indamixx Netbook MKII laptop. It's loaded with all the software tools you'll need.It now ships with software upgrades and improvements, including Transmission 4.0 OS, improved user interface, Stretchplayer, Hydrogen Drum Machine with multitrack recording to DAW, and LinuxDSP 'suite' of mastering plug-ins featuring JP1 a 'Total Recall' patchbay.Winner of Remix Magazine's "Remix Technology 2009 Award", the Indamixx Netbook is a full-featured portable recording solution providing a robust multitrack recording environment that allows you to record, edit, equalize, audition, and mix audio, songs, or sound files (WAV, MP3, Ogg Vorbis, FLAC, AIFF) at sample rates up to 32-bit at 96kHz. The computer's Transmission 4.0 Linux multimedia realtime Operating System (OS) features a pre-loaded software suite (no software or drivers to load) which includes 4 DAWs (Ardour 2.8.9, Audacity 1.3.12, Energy XT 2.5.2, and a demo version of Renoise 2.5), 260 plug-ins, drum machine, digital DJ software, analog synths, Internet radio station, old-school style sequencer, VST host, music player, Firefox browser, and more. The 3 digital audio workstation applications range in complexity from a basic one for beginners to a much more complex one for professionals. This Netbook also features a 10" wide LCD display with a 1024 x 600 resolution. Whether you are just starting out with music production or are a seasoned veteran, the Indamixx Netbook MKII contains all the audio applications you need to create your best mixes.Indamixx MobilityThe Indamixx Netbook MKII Portable Studio not only delivers incredible music production applications to a mobile platform, but it also offers mobility features such as audio broadcasting, Internet radio, Skype (VoIP), instant messaging (IM), Internet browser, and FTP (file transfer protocol). With built-in WiFi and an ethernet port, you can stream audio live, upload files, check email, surf the net, take phone calls, listen to radio stations from around the world, and update your website from wherever you have an Internet connection.Indamixx ApplicationsArdour 2.8.9: This powerful multitrack DAW (Digital Audio Workstation) is the premier application of the Indamixx portable recording studio. Rivaling applications such as Pro Tools and Nuendo, Ardour is a brilliant yet elegant full-featured recording application.ArdourXchange: allows you to import sessions from Pro Tools and many other popular DAWs. Sessions can be transferred to Ardour using the Advanced Authoring Format (commonly known as AAF or AMW). ArdourXchange is the link that makes this possible.Audacity 1.3.12: This is a custom version of the popular sound editor and lightweight multitrack DAW ported for a Jack server client. This feature in Audacity is ideal for users who desire stable, accurate, low latency, realtime performance audio operations. Additionally, this version of Audacity is ported for use of the 260 bundled plug-ins that come with the I |
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Indamixx Indamixx Netbook Mkii $599 Ready to make some music? So is the Indamixx Netbook MKII laptop. It's loaded with all the software tools you'll need.It now ships with software upgrades and improvements, including Transmission 4.0 OS, improved user interface, Stretchplayer, Hydrogen Drum Machine with multitrack recording to DAW, and LinuxDSP 'suite' of mastering plug-ins featuring JP1 a 'Total Recall' patchbay.Winner of Remix Magazine's "Remix Technology 2009 Award", the Indamixx Netbook is a full-featured portable recording solution providing a robust multitrack recording environment that allows you to record, edit, equalize, audition, and mix audio, songs, or sound files (WAV, MP3, Ogg Vorbis, FLAC, AIFF) at sample rates up to 32-bit at 96kHz. The computer's Transmission 4.0 Linux multimedia realtime Operating System (OS) features a pre-loaded software suite (no software or drivers to load) which includes 4 DAWs (Ardour 2.8.9, Audacity 1.3.12, Energy XT 2.5.2, and a demo version of Renoise 2.5), 260 plug-ins, drum machine, digital DJ software, analog synths, Internet radio station, old-school style sequencer, VST host, music player, Firefox browser, and more. The 3 digital audio workstation applications range in complexity from a basic one for beginners to a much more complex one for professionals. This Netbook also features a 10" wide LCD display with a 1024 x 600 resolution. Whether you are just starting out with music production or are a seasoned veteran, the Indamixx Netbook MKII contains all the audio applications you need to create your best mixes.Indamixx MobilityThe Indamixx Netbook MKII Portable Studio not only delivers incredible music production applications to a mobile platform, but it also offers mobility features such as audio broadcasting, Internet radio, Skype (VoIP), instant messaging (IM), Internet browser, and FTP (file transfer protocol). With built-in WiFi and an ethernet port, you can stream audio live, upload files, check email, surf the net, take phone calls, listen to radio stations from around the world, and update your website from wherever you have an Internet connection.Indamixx ApplicationsArdour 2.8.9: This powerful multitrack DAW (Digital Audio Workstation) is the premier application of the Indamixx portable recording studio. Rivaling applications such as Pro Tools and Nuendo, Ardour is a brilliant yet elegant full-featured recording application.ArdourXchange: allows you to import sessions from Pro Tools and many other popular DAWs. Sessions can be transferred to Ardour using the Advanced Authoring Format (commonly known as AAF or AMW). ArdourXchange is the link that makes this possible.Audacity 1.3.12: This is a custom version of the popular sound editor and lightweight multitrack DAW ported for a Jack server client. This feature in Audacity is ideal for users who desire stable, accurate, low latency, realtime performance audio operations. Additionally, this version of Audacity is ported for use of the 260 bundled plug-ins that come with the I |
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Used Focusrite Octopre Mkii Dynamic $636.99 The Focusrite OctoPre MkII Dynamic is a feature-rich expansion upgrade for any digital audio workstation. With 8 channels of Focusrite microphone pre-amplification, 8 VCA-based Red 3-derived compressors and built-in 24-bit / 96 kHz digital inputs and outputs, the OctoPre MkII is equally ideal as an expansion for any analogue or digital console, or for a hard disk recorder.The OctoPre MkII Dynamic's digital inputs and outputs let you make the most of often-neglected ADAT I/Oideal for expanding the number of mic-pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.With this entire package fitting into a single 1U chassis complementing Focusrite's Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.Saffire Mic Pre Focusrite has, over the past two decades, built a reputation as the market leader for high quality recording equipment, with its mic pre technology as the cornerstone of that enviable reputation. The original ISA mic pre, as featured in the early Focusrite Fort console, is still used by many of the industry's greatest producers and has contributed to the sound of countless hit records. Today, Focusrite design equipment for a far greater audience, from professionals to amateur enthusiasts, all with varying budgets.As with the Classic ISA mic pre used in both the ISA and Red ranges, the Saffire mic pre found in the OctoPre MkII Dynamic is designed to the highest possible standards. It upholds the same wide bandwidth philosophy featured in the original fort console, back in 1989. As with the Classic ISA mic pre, the Saffire mic pre design features custom components which have undergone an intense testing and qualification process. With the facts and figures in, Focusrite designs then have to pass the essential listening stage. Any design can measure well on the test bench but only a great design can be qualified in the studio. The FET-based Saffire mic pre design is no exception. It delivers clarity without colouration and exhibits the signature transparency for which Focusrite have become famous. With the high channel count interfaces (Saffire PRO 40 and Liquid Saffire 56) and both the OctoPre MkII and OctoPre MkII Dynamic, the Saffire pre-amp has been optimized for drums. The theoretical maximum level of a microphone was calculated, and the mic pre was adjusted with this in mind so as not to clip with this level present, set to minimum gain. As a result, the mic pre won't clip, even with a high output level mic right up close to a snare drum (the mic input will accept signal levels up to +16dBU from a microphone). Compression The Compressors featured in OctoPre MkII Dynamic are a new VCA-based, feed-forward design, derived from the celebrated Focusrite Red 3. With just a single dial, these eight 'recording' compressors allow you to get to the desired amount of compression for each channel |
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Mackie CFX16 mkII Mixer 886830074486 $424.99 The Mackie CFX16 mkII Mixer features upgrades that include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket. |
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Focusrite Isa430 Mkii Producer Pack $2499.99 The ISA 430 MkII represents the pinnacle of Focusrite's analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavors alongside unmatched internal routing and connectivity, the ISA 430 MkII enables today's recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. From mic impedance switching and "mic air" effect (a wire-wound inductor for increased spaciousness), to three compressor options (VCA, Vintage Opto, and Opto Limit) combined with the compressed/uncompressed Blend feature, the ISA430 MkII delivers a impressive variety of processing sounds. Routing and monitoring flexibility has also received a booster. The unique Listen feature (allowing you to hone in on the frequency you wish to affect) is now available on compressor, gate, and expander circuits as well as the ISA 430 MkII's unique phase cancellation-based de-esser circuit. In addition, monitoring and inserts are available at a variety of points along the signal chain. Finally, the ISA 430 MkII features an optional 24bit-192kHz high performance (123dB A-weighted with jitter below 20 pico seconds) stereo A-D converter, allowing you to retain every nuance of your analogue signal as you flow seamlessly into the digital domain.Classic Focusrite transformer-based mic pre with variable impedance and "Air" feature Multi-format compressor switches between transparent VCA and vintage optical circuits Unmatched flexibility with an incredible variety of insert points and variable signal path arrangements Functions as 4 separate modular processors: mic pre, EQ, dynamics, and stereo ADC Precision VU metering of input level, Insert 1 or 2 Return levels Compressor gain reduction or sidechain listen level (switched) Classic Focusrite EQ design; an expanded version of the original ISA 110 Post mic pre output for the shortest possible signal path Proprietary Focusrite discrete Class A VCA gate and expander designs Listen feature for precise control over compression, gating, expansion, and de-essing De-esser design based on optical technology for lower distortion and transparency Soft limiter to avoid critical digital overload Optional stereo A/D - 24-bit 192kHz Delta Sigma converter |
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Focusrite Octopre Mkii 8-Channel Mic Preamp $499.98 The Focusrite OctoPre MkII Preamp is a powerful input upgrade for your Pro Tools system. With 8 channels of Focusrite pre-amplification and a built-in 24-bit/96 kHz ADAT output, the OctoPre MK II is suitable for any digital audio workstation. It's also a great expansion for any analogue or digital console, or for your hard disk recorder.The OctoPre MkII preamp's digital output makes the most of often-neglected ADAT inputs - ideal for expanding the number of mic-pre inputs on your interface. Connect OctoPre MkII to your audio interface's ADAT input to create a high quality, multi-channel recording solution. Focusrite OctoPre MkII is also an ideal preamp for tracking drums, as well guitars, keyboards, vocals, and more.Eight High Quality Award-winning Focusrite Pre-ampsBuilt-in eight channel 24-bit / 96 kHz digital outputMic-pres optimized for tracking drumsTwo quality Hi-Z instrument inputs5 LED input metering on every channel-10dB Pads on every channelDirect outputs on every channel48V Phantom power available on every channelState-of-the-art Clocking Solutions |
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Used Focusrite Octopre Mkii 8-Channel Mic Preamp $454.98 The Focusrite OctoPre MkII Preamp is a powerful input upgrade for your Pro Tools system. With 8 channels of Focusrite pre-amplification and a built-in 24-bit/96 kHz ADAT output, the OctoPre MK II is suitable for any digital audio workstation. It's also a great expansion for any analogue or digital console, or for your hard disk recorder.The OctoPre MkII preamp's digital output makes the most of often-neglected ADAT inputs - ideal for expanding the number of mic-pre inputs on your interface. Connect OctoPre MkII to your audio interface's ADAT input to create a high quality, multi-channel recording solution. Focusrite OctoPre MkII is also an ideal preamp for tracking drums, as well guitars, keyboards, vocals, and more.Eight High Quality Award-winning Focusrite Pre-ampsBuilt-in eight channel 24-bit / 96 kHz digital outputMic-pres optimized for tracking drumsTwo quality Hi-Z instrument inputs5 LED input metering on every channel-10dB Pads on every channelDirect outputs on every channel48V Phantom power available on every channelState-of-the-art Clocking Solutions |
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Ion Audio Video 2 PC MKII Digital Video Signal Converter - Functions: Signal Conversion, Video Capturing - USB VIDEO2PCMKII $53.47 Ion Audio Video 2 PC MKII Digital Video Signal Converter - Functions: Signal Conversion, Video Capturing - USB VIDEO2PCMKII |
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Refurbished Mackie Cfx12 Mkii Mixer $479.99 The Mackie CFX12 mkII Mixer is designed to make mixing live performances simpler. The mkII upgrades include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket.Low-noise, high-headroom Mackie mic preamps8 mono mic/line and 2 stereo line channelsBuilt-in 32-bit EMAC digital effects processor with 16 effectsExternal and internal EFX sends and EFX to Monitor controlOnboard 9-band stereo graphic equalizerTrue 4-bus design ideal for live sound applications2 Pre/Post aux sends and internal/external FX sends3-band EQ with swept mid (100Hz to 8kHz) on mic/line4-band EQ on stereo line channelsPan, Mute, PFL solo on each channel100Hz low-cut filters on all mic/line channelsSubwoofer output from built-in 18 dB/octave, 75Hz crossoverBreak switch mutes all channelsHeadphone output with level controlTape/CD inputs with level control assignable to Main MixLogarithmic-taper 60mm faders48V phantom power12V BNC lamp socket |


US $294.98
















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